Jean Rouch and David MacDougall Assignment Example | Topics and Well Written Essays - 750 words

Jean Rouch and David MacDougall - Assignment ExampleDespite Rouch and MacDougall being both proficient filmmakers, whose work is exceedingly valued in the cinema industry, their styles in making the film are divergent and variant. Firstly, Rouch employees a filmmaking style known as, ethnic- prevarication, in making his films. Rouch style of filmmaking was influenced by the unear lissomeg of surrealism. In these films, there is a thin line between fiction and documentary. In comparison, MacDougall ethnographies were purely documentaries. Secondly, David often used handheld cameras to capture his films sequence Rouch used light handheld cameras in his direct cinemas. Rouch used Pilot-tone connected to a 16mm camera utilize a prototype of Nagra III to shoot, Chronicle of a summer, in 1960. This was used in place of the menacing sound recording machinery that was very unreliable. Before the pilot-tone, the documentary sound was recorded before, during interviews or much afterward o n location. The sounds that were recorded were later synchronized during sound editing hence providing the documentary with sound.In conclusion, it is fire up that there different approaches in filmmaking considering Rouch and MacDougall main difference is in the style of making the film. Rouch focuses on fiction films while MacDougall shoot documentaries. It is also clear that the advances in the film industry have been greatly contributed by technology. For example, in this day and age it is possible to shoot videos and record quality sound at the aforementioned(prenominal) time.In, as much as, Rouch and MacDougall differ in the choice of cinematic styles, they uphold a number of commons aspects. The first one is that both of their cinematic styles incorporated aesthetic ruse. Aestheticism is an art movement supporting art nature and beauty values more than social-political themes portrayed in a film.